Rabu, 29 Februari 2012

[D175.Ebook] Download PDF The Note in the Journal (The Box Book 2), by Christina G Gaudet

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Sin's taken over her gran's house, but things aren't exactly as she dreamed. Cleaning, bills and a part time job aren't the thrilling adventures she hoped for when moving into a house full of magic.

When she discovers a map left by her gran showing where her sister’s remaining pouches of magic are hidden, Sin finally has an adventure she can sink her teeth into. Helping Lou is great and all, but meeting the dragon shown on the map is even better. Sin jumps at the chance to go back through the portal and into the world of her gran's stories.

But Sin soon discovers Gran hasn't told her everything regarding the strange world or about the dangers she's about to face.

  • Sales Rank: #371804 in eBooks
  • Published on: 2013-03-25
  • Released on: 2013-03-25
  • Format: Kindle eBook

About the Author
Christina G Gaudet is a young adult author. When not writing, Christina can be found working on comics, illustrations and designs. She grew up and continues to live in Prince Edward Island, Canada where having red hair instantly makes you famous.

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2 of 2 people found the following review helpful.
Awesome! Such a great read!
By Amazon Customer
Loved the Journal. Couldn't put it down until the ending and now I'm still wanting more. Sin's character has really evolved in the Journal from the Box. I can't wait to see more of Dray. Can't wait for the Sword to come out. Would recommend this book to any teenager, male or female.

0 of 0 people found the following review helpful.
Another great read
By Laura
I just continue to be sucked into this world. I crave more and more the more I read. On to the next!

0 of 0 people found the following review helpful.
Fun and Engaging!
By Michelle Kennedy
What a terrific sequel to "The Man in the Box". At first blush, I didn't think I was going to enjoy a story focused more on Sin than on Lou, but I ended up loving it and really connecting with Sin as a character. And the addition of someone like Dray is the dream of any fantasy reader isn't it? :) Loved this second book in the series and couldn't wait to read more.

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Sabtu, 25 Februari 2012

[W828.Ebook] Download Ebook The Student Assessment Handbook: New Directions in Traditional and Online Assessment

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  • Published on: 1600
  • Binding: Paperback

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Jumat, 24 Februari 2012

[P555.Ebook] Ebook On Milk and Honey: How God's Goodness Shows up in Unexpected Places, by Morgan Cheek

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From the very beginning, Morgan Cheek and her husband, Hugh, knew they had a special, God-given love. So when the couple discovers they are expecting twins, they find themselves awestruck, inspired, and doubly blessed.

But it soon becomes clear that Bailey Grace and Ally are no ordinary baby girls. God had endowed them with differences, by way of a genetic condition that creates special developmental needs.

On Milk and Honey is the story of Cheek’s pregnancy with the girls, and the first year and a half of their lives—which becomes the backdrop for a powerful spiritual and emotional journey. Among a whirlwind of doctor appointments, tests, and unknowns, Morgan and Hugh wrestle with trying to grasp their reality as God’s plan for their family, and the process of learning to trust the Lord in the midst of all things—even in situations that the rest of the world might see as negative.

A true testament to the power of choosing joy and God’s grace in unexpected situations and suffering, this deeply personal look at the life of a family with two differently abled children will inspire readers everywhere by framing life’s trials as an opportunity to let go and trust God in a raw and authentic way.

  • Sales Rank: #757339 in Books
  • Published on: 2015-07-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .44" w x 6.00" l, .59 pounds
  • Binding: Paperback
  • 194 pages

About the Author

Morgan Cheek is a licensed social worker, public speaker, and stay-at-home mom to Ally and Bailey Grace—two wonderfully, uniquely, and differently abled twin girls. She currently resides in Birmingham, Alabama, with her husband, Hugh, who recently finished his pediatric residency. Cheek is the author of “His Hands, His Feet, His Heart,” a Christian blog with a focus on the journey to seeing God in all things.

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3 of 3 people found the following review helpful.
One of the best books I've ever read
By roberta e. mitchell
One of the best books I've ever read. Have read it twice and use it as a reference and devotional book too. It touched me deeply. Morgan Cheek is wise beyond her years. Give God the glory for giving us such a sincere and talented person and two precious babies.

1 of 1 people found the following review helpful.
Ooohhh Milk & Honey & more
By Harlow King
I originally chose this book because I'm acquainted with the author ( distantly). But, oh my~ the Milk & Honey flows right from God to Morgan's pen. I've prayed for this family since birth, as many have~ but Morgan's visual writing, & un- barred emotions left me breathless as I felt I was walking & feeling all her emotions. There are many lessons here that she has done a wonderful job in showing us~oh, but Jesus!

1 of 1 people found the following review helpful.
Fantastic! It amazes me how the Lord works through ...
By Shannon Johnson
Fantastic! It amazes me how the Lord works through Morgan to bring others closer in their walk with Christ.... A MUST READ!

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Kamis, 23 Februari 2012

[Y973.Ebook] Fee Download [ Italian Cuisine: A Cultural History Capatti, Alberto ( Author ) ] { Hardcover } 2003, by Alberto Capatti

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  • Binding: Hardcover

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Rabu, 15 Februari 2012

[S393.Ebook] PDF Download Elementary Turkish (Dover Language Guides), by Lewis V. Thomas

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Elementary Turkish (Dover Language Guides), by Lewis V. Thomas

Turkish is the primary language of some thirty million people. Anyone concerned with current social, political, and cultural developments in Turkey knows that a practical understanding of the basic patterns of modern Turkish is an invaluable skill that until now has been difficult to attain without extensive training.
This superb grammar and exercise text, used successfully for years in Princeton University, enables English-speaking students — in and out of the classroom — to gain a quick and thorough understanding of modern Turkish. In a carefully arranged sequence of 23 lessons, Lewis V. Thomas, late Professor of Oriental Studies at Princeton, presents thorough coverage that allows the student to begin to use the basic patterns of modern Turkish without time-consuming and expensive private instruction.
The method of instruction was devised after an extensive analysis of results in Princeton classrooms, and relies on exercises at the end of each lesson to test the student's grasp of the material. Beginning with the alphabet and numbers, Professor Thomas offers clear, concise coverage of articles, adjectives and nouns, common infinitives, personal pronouns, and elementary verbs. As the student's comprehension of basic elements develops, further lessons deal with more complicated subjects such as the possessive construction, past general verbs, postpositions, the partitive, progressive verb forms, and abbreviating verb forms. A complete Turkish-English glossary translates new vocabulary occurring in the exercises.
Norman Itzkowitz, Professor of Near Eastern Studies at Princeton University, has skillfully made the necessary revisions and additions to complete Professor Thomas' work. For anyone who needs to communicate in this important and influential language, Professor Thomas' proven course, now in an inexpensive paperback edition, is the most effective method available.

  • Sales Rank: #394707 in Books
  • Published on: 1986-04-01
  • Released on: 1986-04-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.40" h x .42" w x 5.37" l, .48 pounds
  • Binding: Paperback
  • 208 pages

Language Notes
Text: English, Turkish

Most helpful customer reviews

0 of 0 people found the following review helpful.
Best book ever for helping one learn the Turkish language
By Rachel
Best book ever for helping one learn the Turkish language. I highly super recommend this learning tool to those of you wanting to learn Turkish.

21 of 26 people found the following review helpful.
You have to be smart
By D. P. Birkett
It's a Turkish grammar, rather than a primer for a complete beginner.
It was written for Princeton students who must be a very intelligent bunch. Sometimes the English is hard to follow and you have to be smart to understand it.. It's full of sentences like "the infinitives - common or light- may govern the objective definite suffix , or other appropriate suffixes, on preceding substantives, just as do finite verb forms." and "the common infinitive with the following combinations of two suffixes (1) the ablative suffix (2) the conditional suffix, means....."
It may be a little out of date. It says the lira contains a hundred kurus. Maybe things move slowly in Princeton.
I think it might be helpful for someone who had learned to talk Turkish in an ungrammatical way - maybe lives in Turkey- and wanted to become more correct. There are no tapes.

0 of 2 people found the following review helpful.
seems okay but i lost interest
By Stephen Paylor
I lost interest halfway through this book. It's not bad, but I guess I was expecting starting with more conversational phrases instead of rules of language. There were a lot of exercises for which I would flip back to try to figure out what each word meant and occasionally get frustrated when a new word not previously defined was introduced. Sorry I didn't finish it. I will bring it on my trip though.

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Selasa, 14 Februari 2012

[S328.Ebook] Free Ebook To Wed the Fae Prince, by V Vervain

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To Wed the Fae Prince, by V Vervain

Etta Cooper has been promised to marry the Prince of the Faeries since before she was born. A move from her mundane life and family take her into the enchanted Faeryland where she is promised to the handsome Bronn, eldest prince of the Fae King, but when Bronn decides he doesn't want her she is betrothed to his elegant, introspective, and... sullen younger brother Farron. Farron is a human hater. Trapped in this lush, beautiful world of faery Etta longs to escape until she begins to spend time with Farron, and their conversations slowly chip away at the frosty, superior mask he wears. Perhaps, just perhaps Farron is exactly the challenge she's been looking for...

  • Sales Rank: #3496583 in Books
  • Published on: 2012-08-04
  • Original language: English
  • Dimensions: 8.00" h x .43" w x 5.00" l,
  • Binding: Paperback
  • 170 pages

Most helpful customer reviews

2 of 2 people found the following review helpful.
A confusing but cute romance.
By Jetches
Well colour me surprised when Goodreads has users listing this as a Young Adult novel. Cause I wouldn't really define it as that. There is definitely some sexual content in here. A lot. But, there is some young love too, so, naturally I was hooked. So I did really like the characters and the story line. Basically for her parents to conceive they needed the help of the Fae and in return she would wed a fae prince. Pretty cool. I sort of had a feeling I was getting into something along the lines of the Iron Fey series by Julie Kagawa. Then things got a little...heated. Anyhow I still really liked the characters and the story line. But, to say that this book wasn't a little confusing would be a lie. In the fae world time passes differently for humans and so for Etta months go by when she thinks its only days. So when Farron goes from what seems to be hating Etta to being a nice guy it became pretty confusing. And, sadly things were not properly explained. Which made it even more confusing. Other than that I really enjoyed the book. I just felt like some of my questions went un-answered, especially the ones about the dramatic changes in some of the characters.
Good:
Etta--she seems nieve, but overall a pretty cool character.
Farron--definitely grows on you
Bad:
Some confusion with the story lines.
Overall (Writing style, story line, and general):
Overall the novel was a bit confusing in the beginning and I felt like it could have been made into a longer novel to simply explain those circumstances. Overall though, I still rather enjoyed the novella and really did like the characters and their budding romance. I liked learning about the world of the fae, but felt that it just could have been made into a full length novel to really get a good feel for the novel.

2 of 2 people found the following review helpful.
Cute, Easy Read
By Liza
I generally like to read books that are an easy read, without undue angst, and entertaining. This book meets all of those criteria. If you are looking for a deep and meaningful story, this is not the book for you. If you like light romance and stories about fae, then I recommend it for you. For those that are looking for more of an innocent romantic tale, there are some steamy scenes in the book, but they don't take it over and they aren't over the top.

1 of 1 people found the following review helpful.
So much conceptual potential, but lacking editorial refinement...
By Rhianna Walker
Etta Cooper learned at a young age that her fate was not her own to decide. Promised to a faerie prince she must marry or break the oath her parents made and let them suffer for it. Taken to Faeryland she grows fond of her would-be-husband, the eldest Fae Prince Bronn, but when he casts her aside she finds herself betrothed to the human hating prince Farron instead. Though elegant, Farron's cold air of superiority does nothing to warm Etta's sad heart. As the pair grow to know one another, however, she discovers there's much more to the broodish Fae Prince than she was lead to believe.

Conceptually, TO WED A FAE PRINCE had so much promise. A teenaged girl who find out she has to leave the only world she's ever known to be married to a stranger. Having that stranger cast her aside, leaving her bound to someone she likes even less and knows hates her. Misunderstandings and deceit that create tension and conflict to evolve the romantic plot. Alas, poor editing and a lack of refinement keep this fae romance from being fully enjoyable.

Etta is very immature and her first person narrative makes love scenes feel dirty, and not in a good way. Though technically Etta is only 16, Vervain uses the Fae world and her being human to explain away an aging process to make her 'adult' that I could not personally excuse enough to not find the graphic sex inappropriate. Farron seems a bit cookie-cutter and though not completely unlikable, he's not well fleshed out enough to be that interesting. As a romance, TO WED A FAE PRINCE, is likely to disappoint mature romance readers with weak use of the formula the genre is traditionally built around. For the New Adult audience I think this one will be more pleasing with the younger characters and very detailed love scenes.

I wish Vervain's editor (if one was utilized) had pointed out that there wasn't any world building before Etta was thrust into Faeryland and that the storyline would have benefited from giving the reader a bit more to work with. Additionally, the wording in the love scenes felt like a child's descriptions of what they think sex is. As an avid romance reader I never want to see the word 'humping' used by a heroine. Aside from those frustrating areas there's a decent story of a hero and heroine breaking down one another's barriers to become friends and lovers. Worth a read for the late-teens aged reader who might not be ready for more erotic fantasy romances but still want some blush-inducing spice to their read.

***Review copy received via author.

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  • Published on: 2010-12-20
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Senin, 13 Februari 2012

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Smiley's People, by John le Carre

John le Carr�'s classic novels deftly navigate readers through the intricate shadow worlds of international espionage with unsurpassed skill and knowledge, and have earned him -- and his hero, British Secret Service Agent George Smiley -- unprecedented worldwide acclaim.

In Smiley's People, George Smiley is asked to come out of retirement for one last confrontation with his soviet counterpart, Karla. Smiley's people crisscross Paris, London, Germany, and Switzerland in an extraordinary final showdown of unrelenting suspense.

  • Sales Rank: #2459013 in Books
  • Brand: Brand: Pocket
  • Published on: 2000-02-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.17" h x 4.22" w x 6.76" l, .47 pounds
  • Binding: Mass Market Paperback
  • 448 pages
Features
  • Used Book in Good Condition

Review
Newsweek Abounds in breath-stopping scenes. -- Review

About the Author
John le Carr - was born in 1931. His third novel, The Spy Who Came in From the Cold, secured him a worldwide reputation, which was consolidated by the acclaim for his trilogy: Tinker, Tailor, Soldier, Spy; The Honorable Schoolboy, and Smiley's People. His novels include The Little Drummer Girl, A Perfect Spy, The Russia House, Our Game, The Taileor of Panama, and Single & Single. John le Carr - lives in Cornwall.

Excerpt. � Reprinted by permission. All rights reserved.

Chapter One

Two seemingly unconnected events heralded the summons of Mr. George Smiley from his dubious retirement. The first had for its background Paris, and for a season the boiling month of August, when Parisians by tradition abandon their city to the scalding sunshine and the bus-loads of packaged tourists.

On one of these August days -- the fourth, and at twelve o'clock exactly, for a church clock was chiming and a factory bell had just preceded it -- in a quartier once celebrated for its large population of the poorer Russian �migr�s, a stocky woman of about fifty, carrying a shopping bag, emerged from the darkness of an old warehouse and set off, full of her usual energy and purpose, along the pavement to the bus-stop. The street was grey and narrow, and shuttered, with a couple of small h�tels de passe and a lot of cats. It was a place, for some reason, of peculiar quiet. The warehouse, since it handled perishable goods, had remained open during the holidays. The heat, fouled by exhaust fumes and unwashed by the slightest breeze, rose at her like the heat from a lift-shaft, but her Slavic features registered no complaint. She was neither dressed nor built for exertion on a hot day, being in stature very short indeed, and fat, so that she had to roll a little in order to get along. Her black dress, of ecclesiastical severity, possessed neither a waist nor any other relief except for a dash of white lace at the neck and a large metal cross, well fingered but of no intrinsic value, at the bosom. Her cracked shoes, which in walking tended outwards at the points, set a stern tattoo rattling between the shuttered houses. Her shabby bag, full since early morning, gave her a slight starboard list and told clearly that she was used to burdens. There was also fun in her, however. Her grey hair was gathered in a bun behind her, but there remained one sprightly forelock that flopped over her brow to the rhythm of her waddle. A hardy humour lit her brown eyes. Her mouth, set above a fighter's chin, seemed ready, given half a reason, to smile at any time.

Reaching her usual bus-stop, she put down her shopping bag and with her right hand massaged her rump just where it met the spine, a gesture she made often these days though it gave her little relief. The high stool in the warehouse where she worked every morning as a checker possessed no back, and increasingly she was resenting the deficiency. "Devil," she muttered to the offending part. Having rubbed it, she began plying her black elbows behind her like an old town raven preparing to fly. "Devil," she repeated. Then, suddenly aware of being watched, she wheeled round and peered upward at the heavily built man towering behind her.

He was the only other person waiting, and indeed, at that moment, the only other person in the street. She had never spoken to him, yet his face was already familiar to her: so big, so uncertain, so sweaty. She had seen it yesterday, she had seen it the day before, and for all she knew, the day before that as well -- my Lord, she was not a walking diary! For the last three or four days, this weak, itchy giant, waiting for a bus or hovering on the pavement outside the warehouse, had become a figure of the street for her; and what was more, a figure of a recognisable type, though she had yet to put her finger on which. She thought he looked traqu� -- hunted -- as so many Parisians did these days. She saw so much fear in their faces; in the way they walked yet dared not greet each other. Perhaps it was the same everywhere, she wouldn't know. Also, more than once, she had felt his interest in her. She had wondered whether he was a policeman. She had even considered asking him, for she had this urban cockiness. His lugubrious build suggested the police, so did the sweaty suit and the needless raincoat that hung like a bit of old uniform from his forearm. If she was right, and he was police, then -- high time too, the idiots were finally doing something about the spate of pilfering that had made a beargarden of her stock-checking for months.

By now the stranger had been staring down at her for some time, however. And he was staring at her still.

"I have the misfortune to suffer in my back, monsieur," she confided to him finally, in her slow and classically enunciated French. "It is not a large back but the pain is disproportionate. You are a doctor, perhaps? An osteopath?"

Then she wondered, looking up at him, whether he was ill, and her joke out of place. An oily gloss glistened on his jaw and neck, and there was an unseeing self-obsession about his pallid eyes. He seemed to see beyond her to some private trouble of his own. She was going to ask him this -- You are perhaps in love, monsieur? Your wife is deceiving you? -- and she was actually considering steering him into a caf� for a glass of water or a tisane when he abruptly swung away from her and looked behind him, then over her head up the street the other way. And it occurred to her that he really was afraid, not just traqu� but frightened stiff; so perhaps he was not a policeman at all, but a thief -- though the difference, she knew well, was often slight.

"Your name is Maria Andreyevna Ostrakova?" he asked her abruptly, as if the question scared him.

He was speaking French but she knew that it was not his mother tongue any more than it was her own, and his correct pronunciation of her name, complete with patronymic, already alerted her to his origin. She recognised the slur at once and the shapes of the tongue that made it, and she identified too late, and with a considerable inward start, the type she had not been able to put her finger on.

"If it is, who on earth are you?" she asked him in reply, sticking out her jaw and scowling.

He had drawn a pace closer. The difference in their heights was immediately absurd. So was the degree to which the man's features betrayed his unpleasing character. From her low position Ostrakova could read his weakness as clearly as his fear. His damp chin had set in a grimace, his mouth had twisted to make him look strong, but she knew he was only banishing an incurable cowardice. He is like a man steeling himself for a heroic act, she thought. Or a criminal one. He is a man cut off from all spontaneous acts, she thought.

"You were born in Leningrad on May 8, 1927?" the stranger asked.

Probably she said yes. Afterwards she was not sure. She saw his scared gaze lift and stare at the approaching bus. She saw an indecision near to panic seize him, and it occurred to her -- which in the long run was an act of near clairvoyance -- that he proposed to push her under it. He didn't, but he did put his next question in Russian -- and in the brutal accents of Moscow officialdom.

"In 1956, were you granted permission to leave the Soviet Union for the purpose of nursing your sick husband, the traitor Ostrakov? Also for certain other purposes?"

"Ostrakov was not a traitor," she replied, cutting him off. "He was a patriot." And by instinct she took up her shopping bag and clutched the handle very tight.

The stranger spoke straight over this contradiction, and very loudly, in order to defeat the clatter of the bus: "Ostrakova, I bring you greetings from your daughter Alexandra in Moscow, also from certain official quarters! I wish to speak to you concerning her! Do not board this car!"

The bus had pulled up. The conductor knew her and was holding his hand out for her bag. Lowering his voice, the stranger added one more terrible statement: "Alexandra has serious problems which require the assistance of a mother."

The conductor was calling to her to get a move on. He spoke with pretended roughness, which was the way they joked. "Come on, mother! It's too hot for love! Pass us your bag and let's go!" cried the conductor.

Inside the bus there was laughter; then someone shouted an insult -- old woman, keeps the world waiting! She felt the stranger's hand scrabbling inexpertly at her arm, like a clumsy suitor groping for the buttons. She pulled herself free. She tried to tell the conductor something but she couldn't; she opened her mouth but she had forgotten how to speak. The best she could manage was to shake her head. The conductor yelled at her again, then waved his hands and shrugged. The insults multiplied -- old woman, drunk as a whore at midday! Remaining where she was, Ostrakova watched the bus out of sight, waiting for her vision to clear and her heart to stop its crazy cavorting. Now it is I who need a glass of water, she thought. From the strong I can protect myself. God preserve me from the weak.

She followed him to the caf�, limping heavily. In a forced-labour camp, exactly twenty-five years before, she had broken her leg in three places in a coal slip. On this August 4th -- the date had not escaped her -- under the extreme duress of the stranger's message, the old sensation of being crippled came back to her.

The caf� was the last in the street, if not in all Paris, to lack both a juke-box and neon lighting -- and to remain open in August -- though there were bagatelle tables that bumped and flashed from dawn till night. For the rest, there was the usual mid-morning hubbub, of grand politics, and horses, and whatever else Parisians talked; there was the usual trio of prostitutes murmuring among themselves, and a sullen young waiter in a soiled shirt who led them to a table in a corner that was reserved with a grimy Campari sign. A moment of ludicrous banality followed. The stranger ordered two coffees, but the waiter protested that at midday one does not reserve the best table in the house merely in order to drink coffee; the patron had to pay the rent, monsieur! Since the stranger did not follow this flow of patois, Ostrakova had to translate it for him. The stranger blushed and ordered two ham omelettes with frites, and two Alsatian beers, all without consulting Ostrakova. Then he took himself to the men's room to repair his courage -- confident, presumably, she would not run away -- and when he returned his face was dry and his ginger hair combed, but the stink of him, now they were indoors, reminded Ostrakova of Moscow subways, and Moscow trams, and Moscow interrogation rooms. More eloquently than anything he could ever have said to her, that short walk back from the men's room to their table had convinced her of what she already feared. He was one of them. The suppressed swagger, the deliberate brutalisation of the features, the ponderous style in which he now squared his forearms on the table and with feigned reluctance helped himself to a piece of bread from the basket as if he were dipping a pen in ink -- they revived her worst memories of living as a disgraced woman under the weight of Moscow's malevolent bureaucracy.

"So," he said, and started eating the bread at the same time. He selected a crusty end. With hands like that he could have crushed it in a second, but instead he chose to prise ladylike flakes from it with his fat finger-ends, as if that were the official way of eating. While he nibbled, his eyebrows went up and he looked sorry for himself, me a stranger in this foreign land. "Do they know here that you have lived an immoral life in Russia?" he asked finally. "Maybe in a town full of whores they don't care."

Her answer lay ready on the tip of her tongue: My life in Russia was not immoral. It was your system which was immoral.

But she did not say it, she kept rigidly silent. Ostrakova had already sworn to herself that she would restrain both her quick temper and her quick tongue, and she now physically enjoined herself to this vow by grabbing a piece of skin on the soft inside of her wrist and pinching it through her sleeve with a fierce, sustained pressure under the table, exactly as she had done a hundred times before, in the old days, when such questionings were part of her daily life -- When did you last hear from your husband, Ostrakov, the traitor? Name all persons with whom you have associated in the last three months! With bitter experience she had learned the other lessons of interrogation too. A part of her was rehearsing them at this minute, and though they belonged, in terms of history, to a full generation earlier, they appeared to her now as bright as yesterday and as vital: never to match rudeness with rudeness, never to be provoked, never to score, never to be witty or superior or intellectual, never to be deflected by fury, or despair, or the surge of sudden hope that an occasional question might arouse. To match dullness with dullness and routine with routine. And only deep, deep down to preserve the two secrets that made all these humiliations bearable: her hatred of them; and her hope that one day, after endless drips of water on the stone, she would wear them down, and by a reluctant miracle of their own elephantine processes, obtain from them the freedom they were denying her.

He had produced a notebook. In Moscow it would have been her file but here in a Paris caf� it was a sleek black leatherbound notebook, something that in Moscow even an official would count himself lucky to possess.

File or notebook, the preamble was the same: "You were born Maria Andreyevna Rogova in Leningrad on May 8, 1927," he repeated. "On September 1, 1948, aged twenty-one, you married the traitor Ostrakov Igor, a captain of infantry in the Red Army, born of an Estonian mother. In 1950, the said Ostrakov, being at the time stationed in East Berlin, traitorously defected to Fascist Germany through the assistance of reactionary Estonian �migr�s, leaving you in Moscow. He took up residence, and later French citizenship, in Paris, where he continued his contact with anti-Soviet elements. At the time of his defection you had no children by this man. Also you were not pregnant. Correct?"

"Correct," she said.

In Moscow it would have been "Correct, Comrade Captain," or "Correct, Comrade Inspector," but in this clamorous French caf� such formality was out of place. The fold of skin on her wrist had gone numb. Releasing it, she allowed the blood to return, then took hold of another.

"As an accomplice to Ostrakov's defection you were sentenced to five years' detention in a labour camp, but were released under an amnesty following the death of Stalin in March, 1953. Correct?"

"Correct."

"On your return to Moscow, despite the improbability that your request would be granted, you applied for a foreign travel passport to join your husband in France. Correct?"

"He had cancer," she said. "If I had not applied, I would have been failing in my duty as his wife."

The waiter brought the plates of omelette and frites and the two Alsatian beers, and Ostrakova asked him to bring a th� citron: she was thirsty, but did not care for beer. Addressing the boy, she tried vainly to make a bridge to him, with smiles and with her eyes. But his stoniness repulsed her; she realised she was the only woman in the place apart from the three prostitutes. Holding his notebook to one side like a hymnal, the stranger helped himself to a forkful, then another, while Ostrakova tightened her grasp on her wrist, and Alexandra's name pulsed in her mind like an unstaunched wound, and she contemplated a thousand different serious problems that required the assistance of a mother.

The stranger continued his crude history of her while he ate. Did he eat for pleasure or did he eat in order not to be conspicuous again? She decided he was a compulsive eater.

"Meanwhile," he announced, eating.

"Meanwhile," she whispered involuntarily.

"Meanwhile, despite your pretended concern for your husband, the traitor Ostrakov," he continued through his mouthful, "you nevertheless formed an adulterous relationship with the so-called music student Glikman Joseph, a Jew with four convictions for anti-social behaviour whom you had met during your detention. You cohabited with this Jew in his apartment. Correct or false?"

"I was lonely."

"In consequence of this union with Glikman you bore a daughter, Alexandra, at The Lying-in Hospital of the October Revolution in Moscow. The certificate of parentage was signed by Glikman Joseph and Ostrakova Maria. The girl was registered in the name of the Jew Glikman. Correct or false?"

"Correct."

"Meanwhile, you persisted in your application for a foreign travel passport. Why?"

"I told you. My husband was ill. It was my duty to persist."

He ate again, so grossly that she had a sight of his many bad teeth. "In January, 1956, as an act of clemency you were granted a passport on condition the child Alexandra was left behind in Moscow. You exceeded the permitted time limit and remained in France, abandoning your child. Correct or false?"

The doors to the street were glass, the walls too. A big lorry parked outside them and the caf� darkened. The young waiter slammed down her tea without looking at her.

"Correct," she said again, and managed this time to look at her interrogator, knowing what would follow, forcing herself to show him that on this score at least she had no doubts, and no regrets. "Correct," she repeated defiantly.

"As a condition of your application being favourably considered by the authorities, you signed an undertaking to the organs of State Security to perform certain tasks for them during your residence in Paris. One, to persuade your husband, the traitor Ostrakov, to return to the Soviet Union -- "

"To attempt to persuade him," she corrected him, with a faint smile. "He was not amenable to this suggestion."

"Two, you undertook also to provide information concerning the activities and personalities of revanchist anti-Soviet �migr� groups. You submitted two reports of no value and afterwards nothing. Why?"

"My husband despised such groups and had given up his contact with them."

"You could have participated in the groups without him. You signed the document and neglected its undertaking. Yes or no?"

"Yes."

"For this you abandon your child in Russia? To a Jew? In order to give your attention to an enemy of the people, a traitor of the State? For this you neglect your duty? Outstay the permitted period, remain in France?"

"My husband was dying. He needed me."

"And the child Alexandra? She did not need you? A dying husband is more important than a living child? A traitor? A conspirator against the people?"

Releasing her wrist, Ostrakova deliberately took hold of her tea and watched the glass rise to her face, the lemon floating on the surface. Beyond it, she saw a grimy mosaic floor and beyond the floor the loved, ferocious, and kindly face of Glikman pressing down on her, exhorting her to sign, to go, to swear to anything they asked. The freedom of one is more than the slavery of three, he had whispered; a child of such parents as ourselves cannot prosper in Russia whether you stay or go; leave and we shall do our best to follow; sign anything, leave, and live for all of us; if you love me, go....

"They were the hard days, still," she said to the stranger finally, almost in a tone of reminiscence. "You are too young. They were the hard days, even after Stalin's death: still hard."

"Does the criminal Glikman continue to write to you?" the stranger asked in a superior, knowing way.

"He never wrote," she lied. "How could he write, a dissident, living under restriction? The decision to stay in France was mine alone."

Paint yourself black, she thought; do everything possible to spare those within their power.

"I have heard nothing from Glikman since I came to France more than twenty years ago," she added, gathering courage. "Indirectly, I learned that he was angered by my anti-Soviet behaviour. He did not wish to know me any more. Inwardly he was already wishing to reform by the time I left him."

"He did not write concerning your common child?"

"He did not write, he did not send messages. I told you this already."

"Where is your daughter now?"

"I don't know."

"You have received communications from her?"

"Of course not. I heard only that she had entered a State orphanage and acquired another name. I assume she does not know I exist."

The stranger ate again with one hand, while the other held the notebook. He filled his mouth, munched a little, then swilled his food down with the beer. But the superior smile remained.

"And now it is the criminal Glikman who is dead," the stranger announced, revealing his little secret. He continued eating.

Suddenly Ostrakova wished the twenty years were two hundred. She wished that Glikman's face had never, after all, looked down on her, that she had never loved him, never cared for him, never cooked for him, or got drunk with him day after day in his one-roomed exile where they lived on the charity of their friends, deprived of the right to work, to do anything but make music and love, get drunk, walk in the woods, and be cut dead by their neighbours.

"Next time I go to prison or you do, they will take her anyway. Alexandra is forfeit in any case," Glikman had said. "But you can save yourself."

"I will decide when I am there," she had replied.

"Decide now."

"When I am there."

The stranger pushed aside his empty plate and once more took the sleek French notebook in both hands. He turned a page, as if approaching a new chapter.

"Concerning now your criminal daughter Alexandra," he announced, through his food.

"Criminal?" she whispered.

To her astonishment the stranger was reciting a fresh catalogue of crimes. As he did so, Ostrakova lost her final hold upon the present. Her eyes were on the mosaic floor and she noticed the husks of langoustine and crumbs of bread. But her mind was in the Moscow law court again, where her own trial was being repeated. If not hers, then Glikman's -- yet not Glikman's either. Then whose? She remembered trials that the two of them had attended as unwelcome spectators. Trials of friends, if only friends by accident: such as people who had questioned the absolute right of the authorities; or had worshipped some unacceptable god; or had painted criminally abstract pictures; or had published politically endangering love-poems. The chattering customers in the caf� became the jeering claque of the State police; the slamming of the bagatelle tables, the crash of iron doors. On this date, for escaping from the State orphanage on something street, so many months' corrective detention. On that date, for insulting organs of State Security, so many more months, extended for bad behaviour, followed by so many years' internal exile. Ostrakova felt her stomach turn and thought she might be sick. She put her hands to her glass of tea and saw the red pinch marks on her wrist. The stranger continued his recitation and she heard her daughter awarded another two years for refusing to accept employment at the something factory, God help her, and why shouldn't she? Where had she learnt it? Ostrakova asked herself, incredulous. What had Glikman taught the child, in the short time before they took her away from him, that had stamped her in his mould and defeated all the system's efforts? Fear, exultation, amazement jangled in Ostrakova's mind, till something that the stranger was saying to her blocked them out.

"I did not hear," she whispered after an age. "I am a little distressed. Kindly repeat what you just said."

He said it again, and she looked up and stared at him, trying to think of all the tricks she had been warned against, but they were too many and she was no longer clever. She no longer had Glikman's cleverness -- if she had ever had it -- about reading their lies and playing their games ahead of them. She knew only that to save herself and be reunited with her beloved Ostrakov, she had committed a great sin, the greatest a mother can commit. The stranger had begun threatening her, but for once the threat seemed meaningless. In the event of her noncollaboration -- he was saying -- a copy of her signed undertaking to the Soviet authorities would find its way to the French police. Copies of her useless two reports (done, as he well knew, solely in order to keep the brigands quiet) would be circulated among the surviving Paris �migr�s -- though, God knows, there were few enough of them about these days! Yet why should she have to submit to pressure in order to accept a gift of such immeasurable value -- when, by some inexplicable act of clemency, this man, this system, was holding out to her the chance to redeem herself, and her child? She knew that her nightly and daily prayers for forgiveness had been answered, the thousands of candles, the thousands of tears. She made him say it a third time. She made him pull his notebook away from his gingery face, and she saw that his weak mouth had lifted into a half smile and that, idiotically, he seemed to require her absolution, even while he repeated his insane, God-given question.

"Assuming it has been decided to rid the Soviet Union of this disruptive and unsocial element, how would you like your daughter Alexandra to follow your footsteps here to France?"


For weeks after that encounter, and through all the hushed activities that accompanied it -- furtive visits to the Soviet Embassy, form-filling, signed affidavits, certificats d'h�bergement, the laborious trail through successive French ministries -- Ostrakova followed her own actions as if they were someone else's. She prayed often, but even with her prayers she adopted a conspiratorial attitude, dividing them among several Russian Orthodox churches so that in none would she be observed suffering an undue assault of piety. Some of the churches were no more than little private houses scattered round the 15th and 16th districts, with distinctive twice-struck crosses in plywood, and old, rain-sodden Russian notices on the doors, requesting cheap accommodation and offering instruction in the piano. She went to the Church of the Russian Abroad, and the Church of the Apparition of the Holy Virgin, and the Church of St. Seraphin of Sarov. She went everywhere. She rang the bells till someone came, a verger or a frail-faced woman in black; she gave them money, and they let her crouch in the damp cold before candle-lit icons, and breathe the thick incense till it made her half drunk. She made promises to the Almighty, she thanked Him, she asked Him for advice, she practically asked Him what He would have done if the stranger had approached Him in similar circumstances, she reminded Him that anyway she was under pressure, and they would destroy her if she did not obey. Yet at the same time, her indomitable common sense asserted itself, and she asked herself over and again why she of all people, wife of the traitor Ostrakov, lover of the dissident Glikman, mother -- so she was given to believe -- of a turbulent and anti-social daughter, should be singled out for such untypical indulgence?

In the Soviet Embassy, when she made her first formal application, she was treated with a regard she would never have dreamed possible, which was suited neither to a defector and renegade spy nor to the mother of an untamable hell-raiser. She was not ordered brusquely to a waiting-room, but escorted to an interviewing-room, where a young and personable official showed her a positively Western courtesy, even helping her, where her pen or courage faltered, to a proper formulation of her case.

And she told nobody, not even her nearest -- though her nearest was not very near. The gingery man's warning rang in her ears day and night: any indiscretion and your daughter will not be released.

And who was there, after all, apart from God, to turn to? To her half-sister Valentina, who lived in Lyons and was married to a car salesman? The very thought that Ostrakova had been consorting with a secret official from Moscow would send her rushing for her smelling-salts. In a caf�, Maria? In broad daylight, Maria? Yes, Valentina, and what he said is true. I had a bastard daughter by a Jew.

It was the nothingness that scared her most. The weeks passed; at the Embassy they told her that her application was receiving "favoured attention"; the French authorities had assured her that Alexandra would quickly qualify for French citizenship. The gingery stranger had persuaded her to back-date Alexandra's birth so that she could be represented as an Ostrakova, not a Glikman; he said the French authorities would find this more acceptable; and it seemed that they had done so, even though she had never so much as mentioned the child's existence at her naturalisation interviews. Now, suddenly, there were no more forms to fill in, no more hurdles to be cleared, and Ostrakova waited without knowing what she was waiting for. For the gingery stranger to reappear? He no longer existed. One ham omelette and frites, some Alsatian beer, two pieces of crusty bread had satisfied all his needs, apparently. What he was in relation to the Embassy she could not imagine: he had told her to present herself there, and that they would be expecting her; he was right. But when she referred to "your gentleman," even "your blond, large gentleman who first approached me," she met with smiling incomprehension.

Thus gradually whatever she was waiting for ceased to exist. First it was ahead of her, then it was behind her, and she had had no knowledge of its passing, no moment of fulfilment. Had Alexandra already arrived in France? Obtained her papers, moved on or gone to ground? Ostrakova began to think she might have done. Abandoned to a new and inconsolable sense of disappointment, she peered at the faces of young girls in the street, wondering what Alexandra looked like. Returning home, her eyes would fall automatically to the doormat in the hope of seeing a handwritten note or a pneumatique: "Mama, it is I. I am staying at the so-and-so hotel...." A cable giving a flight number, arriving Orly tomorrow, tonight; or was it not Orly Airport but Charles de Gaulle? She had no familiarity with airlines, so she visited a travel agent, just to ask. It was both. She considered going to the expense of having a telephone installed so that Alexandra could ring her up. Yet what on earth was she expecting after all these years? Tearful reunions with a grown child to whom she had never been united? The wishful remaking, more than twenty years too late, of a relationship she had deliberately turned her back on? I have no right to her, Ostrakova told herself severely; I have only my debts and my obligations. She asked at the Embassy but they knew nothing more. The formalities were complete, they said. That was all they knew. And if Ostrakova wished to send her daughter money? she asked cunningly -- for her fares, for instance, for her visa? -- could they give her an address perhaps, an office that would find her?

We are not a postal service, they told her. Their new chilliness scared her. She did not go any more.

After that, she fell once more to worrying about the several muddy photographs, each the same, which they had given her to pin to her application forms. The photographs were all she had ever seen. She wished now that she had made copies, but she had never thought of it; stupidly, she had assumed she would soon be meeting the original. She had not had them in her hand above an hour! She had hurried straight from the Embassy to the Ministry with them, and by the time she left the Ministry the photographs were already working their way through another bureaucracy. But she had studied them! My Lord, how she had studied those photographs, whether they were each the same or not! On the M�tro, in the Ministry waiting-room, even on the pavement before she went in, she had stared at the lifeless depiction of her child, trying with all her might to see in the expressionless grey shadows some hint of the man she had adored. And failing. Always, till then, whenever she had dared to wonder, she had imagined Glikman's features as clearly written on the growing child as they had been on the new-born baby. It had seemed impossible that a man so vigorous would not plant his imprint deeply and for good. Yet Ostrakova saw nothing of Glikman in that photograph. He had worn his Jewishness like a flag. It was part of his solitary revolution. He was not Orthodox, he was not even religious, he disliked Ostrakova's secret piety nearly as much as he disliked the Soviet bureaucracy -- yet he had borrowed her tongs to curl his sideburns like the Hasidim, just to give focus, as he put it, to the anti-Semitism of the authorities. But in the face in the photograph she recognised not a drop of his blood, not the least spark of his fire -- though his fire, according to the stranger, burned in her amazingly.

"If they had photographed a corpse to get that picture," thought Ostrakova aloud in her apartment, "I would not be surprised." And with this downright observation, she gave her first outward expression of the growing doubt inside her.

Toiling in her warehouse, sitting alone in her tiny apartment in the long evenings, Ostrakova racked her brains for someone she could trust; who would not condone and not condemn; who would see round the corners of the route she had embarked on; above all, who would not talk and thus wreck -- she had been assured of it -- wreck her chances of being reunited with Alexandra. Then one night, either God or her own striving memory supplied her with an answer: The General! she thought, sitting up in bed and putting on the light. Ostrakov himself had told her of him! Those �migr� groups are a catastrophe, he used to say, and you must avoid them like the pest. The only one you can trust is Vladimir the General; he is an old devil, and a womaniser, but he is a man, he has connections and knows how to keep his mouth shut.

But Ostrakov had said this some twenty years ago, and not even old generals are immortal. And besides -- Vladimir who? She did not even know his other name. Even the name Vladimir -- Ostrakov had told her -- was something he had put on for his military service; since his real name was Estonian, and not suitable for Red Army usage. Nevertheless, next day she went down to the bookshop beside the Cathedral of St. Alexander Nevsky, where information about the dwindling Russian population was often to be had, and made her first enquiries. She got a name and even a phone number, but no address. The phone was disconnect The General! she thought, sitting up in bed and putting on the light. Ostrakov himself had told her of him! Those �migr� groups are a catastrophe, he used to say, and you must avoid them like the pest. The only one you can trust is Vladimir the General; he is an old devil, and a womaniser, but he is a man, he has connections and knows how to keep his mouth shut.

But Ostrakov had said this some twenty years ago, and not even old generals are immortal. And besides -- Vladimir who? She did not even know his other name. Even the name Vladimir -- Ostrakov had told her -- was something he had put on for his military service; since his real name was Estonian, and not suitable for Red Army usage. Nevertheless, next day she went down to the bookshop beside the Cathedral of St. Alexander Nevsky, where information about the dwindling Russian population was often to be had, and made her first enquiries. She got a name and even a phone number, but no address. The phone was disconnected. She went to the Post Office, cajoled the assistants, and finally came up with a 1966 telephone directory listing the Movement for Baltic Freedom, followed by an address in Montparnasse. She was not stupid. She looked up the address and found no less than four other organisations listed there also: the Riga Group, the Association of Victims of Soviet Imperialism, the Forty-Eight Committee for a Free Latvia, the Tallinn Committee of Freedom. She remembered vividly Ostrakov's scathing opinions of such bodies, even though he had paid his dues to them. All the same, she went to the address and rang the bell, and the house was like one of her little churches: quaint, and very nearly closed for ever. Eventually an old White Russian opened the door wearing a cardigan crookedly buttoned, and leaning on a walking-stick, and looking superior.

They've gone, he said, pointing his stick down the cobbled road. Moved out. Finished. Bigger outfits put them out of business, he added with a laugh. Too few of them, too many groups, and they squabbled like children. No wonder the Czar was defeated! The old White Russian had false teeth that didn't fit, and thin hair plastered all over his scalp to hide his baldness.

But the General? she asked. Where was the General? Was he still alive, or had he -- ?

The old Russian smirked and asked whether it was business.

It was not, said Ostrakova craftily, remembering the General's reputation for philandering, and contrived a shy woman's smile. The old Russian laughed, and his teeth rattled. He laughed again and said, "Oh, the General!" Then he came back with an address in London, stamped in mauve on a bit of card, and gave it to her. The General would never change, he said; when he got to Heaven, he'd be chasing after the angels and trying to up-end them, no question. And that night while the whole neighbourhood slept, Ostrakova sat at her dead husband's desk and wrote to the General with the frankness which lonely people reserve for strangers, using French rather than Russian as an aid to greater detachment. She told him about her love for Glikman and took comfort from the knowledge that the General himself loved women just as Glikman had. She admitted immediately that she had come to France as a spy, and she explained how she had assembled the two trivial reports that were the squalid price of her freedom. It was � contre-coeur, she said; invention and evasion, she said; a nothing. But the reports existed, so did her signed undertaking, and they placed grave limits on her freedom. Then she told him of her soul, and of her prayers to God all round the Russian churches. Since the gingery stranger's approach to her, she said, her days had become unreal; she had a feeling of being denied a natural explanation of her life, even if it had to be a painful one. She kept nothing back from him, for whatever guilty feelings she had, they did not relate to her efforts to bring Alexandra to the West, but rather to her decision to stay in Paris and take care of Ostrakov until he died -- after which event, she said, the Soviets would not let her come back anyway; she had become a defector herself.

"But, General," she wrote, "if tonight I had to face my Maker in person, and tell Him what is deepest in my heart, I would tell Him what I now tell you. My child Alexandra was born in pain. Days and nights she fought me and I fought her back. Even in the womb she was her father's child. I had no time to love her; I only ever knew her as the little Jewish warrior her father made. But, General, this I do know: the child in the photograph is neither Glikman's, nor is she mine. They are putting the wrong egg into the nest, and though there is a part of this old woman that would like to be deluded, there is a stronger part that hates them for their tricks."

When she had finished the letter, she sealed it immediately in its envelope so that she would not read it and change her mind. Then she stuck too many stamps on it deliberately, much as she might have lit a candle to a lover.

For the next two weeks exactly, following the posting of this document, nothing happened, and in the strange ways of women the silence was a relief to her. After the storm had come the calm, she had done the little she could do -- she had confessed her weaknesses and her betrayals and her one great sin -- the rest was in the hands of God, and of the General. A disruption of the French postal services did not dismay her. She saw it rather as another obstacle that those who were shaping her destiny would have to overcome if their will was strong enough. She went to work contentedly and her back ceased to trouble her, which she took as an omen. She even managed to become philosophical again. It is this way or that way, she told herself; either Alexandra was in the West and better off -- if indeed it was Alexandra -- or Alexandra was where she had been before, and no worse off. But gradually, with another part of her, she saw through this false optimism. There was a third possibility, and that was the worst and by degrees the one she considered most likely: namely, that Alexandra was being used for a sinister and perhaps wicked purpose; that they were forcing her somehow, exactly as they had forced Ostrakova, misusing the humanity and courage that her father, Glikman, had given her. So that on the fourteenth night, Ostrakova broke into a profound fit of weeping, and with the tears streaming down her face walked half-way across Paris looking for a church, any church that was open, until she came to the Cathedral of St. Alexander Nevsky itself. It was open. Kneeling, she prayed for long hours to St. Joseph, who was after all a father and protector, and the giver of Glikman's first name, even if Glikman would have scoffed at the association. And on the day following these spiritual exertions, her prayer was answered. A letter came. It had no stamp or postmark. She had added her address at work as a precaution, and the letter was there waiting for her when she arrived, delivered by hand, presumably, some time in the night. It was a very short letter and carried neither the name of the sender nor his address. It was unsigned. Like her own, it was in a stilted French and handwritten, in the sprawl of an old and dictatorial hand, which she knew at once was the General's.

Madame! -- it began, like a command -- Your letter has reached the writer safely. A friend of our cause will call upon you very soon. He is a man of honour and he will identify himself by handing to you the other half of the enclosed postcard. I urge you to speak to nobody concerning this matter until he arrives. He will come to your apartment between eight and ten o'clock in the evening. He will ring your doorbell three times. He has my absolute confidence. Trust him entirely, Madame, and we shall do everything to assist you.

Even in her relief, she was secretly entertained by the writer's melodramatic tone. Why not deliver the letter directly to her flat? she wondered; and why should I feel safer because he gives me half an English picture? For the piece of postcard showed a part of Piccadilly Circus and was torn, not cut, with a deliberate roughness, diagonally. The side to be written on was blank.

To her astonishment the General's envoy came that night.

He rang the bell three times, as the letter promised, but he must have known she was in her apartment -- must have watched her enter, and the lights go on -- for all she heard was a snap of the letter-box, a snap much louder than it normally made, and when she went to the door she saw the piece of torn postcard lying on the mat, the same mat she had looked at so often when she was longing for word of her daughter Alexandra. Picking it up, she ran to the bedroom for her Bible, where her own half already lay, and yes, the pieces matched, God was on her side, St. Joseph had interceded for her. (But what a needless piece of nonsense, all the same!) And when she opened the door to him, he slipped past her like a shadow: a little hobgoblin of a fellow, in a black overcoat with velvet tabs on the collar, giving him an air of operatic conspiracy. They have sent me a midget to catch a giant, was her first thought. He had arched eyebrows and a grooved face and flicked-up horns of black hair above his pointed ears, which he prinked with his little palms before the hall mirror as he took off his hat -- so bright and comic that on a different occasion Ostrakova would have laughed out loud at all the life and humour and irreverence in him.

But not tonight.

Tonight he had a gravity that she sensed immediately was not his normal way. Tonight, like a busy salesman who had just stepped off an aeroplane -- she had the feeling also about him that he was brand new in town: his cleanliness, his air of travelling light -- tonight he wished only to do business.

"You received my letter safely, madame?" He spoke Russian swiftly, with an Estonian accent.

"I had thought it was the General's letter," she replied, affecting -- she could not save herself -- a certain sternness with him.

"It is I who brought it for him," he said gravely. He was delving in an inside pocket and she had a dreadful feeling that, like the big Russian, he was going to produce a sleek black notebook. But he drew out instead a photograph, and one look was quite enough: the pallid, glossy features, the expression that despised all womanhood, not just her own; the suggestion of longing, but not daring to take.

"Yes," she said. "That is the stranger."

Seeing his happiness increase, she knew immediately that he was what Glikman and his friends called "one of us" -- not a Jew necessarily, but a man with heart and meat to him. From that moment on she called him in her mind "the magician." She thought of his pockets as being full of clever tricks, and of his merry eyes as containing a dash of magic.


For half the night, with an intensity she hadn't experienced since Glikman, she and the magician talked. First, she told it all again, reliving it exactly, secretly surprised to discover how much she had left out of her letter, which the magician seemed to know by heart. She explained her feelings to him, and her tears, her terrible inner turmoil; she described the crudeness of her perspiring tormentor. He was so inept -- she kept repeating, in wonder -- as if it were his first time, she said -- he had no finesse, no assurance. So odd to think of the Devil as a fumbler! She told about the ham omelette and the frites and the Alsatian beer, and he laughed; about her feeling that he was a man of dangerous timidity and inhibition -- not a woman's man at all -- to most of which the little magician agreed with her cordially, as if he and the gingery man were already well acquainted. She trusted the magician entirely, as the General had told her to; she was sick and tired of suspicion. She talked, she thought afterwards, as frankly as she once had talked to Ostrakov when they were young lovers in her own home town, on the nights they thought they might never meet again, clutching each other under siege, whispering to the sound of approaching guns; or to Glikman, while they waited for the hammering on the door that would take him back to prison yet again. She talked to his alert and understanding gaze, to the laughter in him, to the suffering that she sensed immediately was the better side of his unorthodox and perhaps anti-social nature. And gradually, as she went on talking, her woman's instinct told her that she was feeding a passion in him -- not a love this time, but a sharp and particular hatred that gave thrust and sensibility to every little question he asked. What or whom it was that he hated, exactly, she could not say, but she feared for any man, whether the gingery stranger or anybody else, who had attracted this tiny magician's fire. Glikman's passion, she recalled, had been a universal, sleepless passion against injustice, fixing itself almost at random upon a range of symptoms, small or large. But the magician's was a single beam, fixed upon a spot she could not see.

It is in any case a fact that by the time the magician left -- my Lord, she thought, it was nearly time for her to go to work again! -- Ostrakova had told him everything she had to tell, and the magician in return had woken feelings in her that for years, until this night, had belonged only to her past. Tidying away the plates and bottles in a daze, she managed, despite the complexity of her feelings regarding Alexandra, and herself, and her two dead men, to burst out laughing at her woman's folly.

"And I do not even know his name!" she said aloud, and shook her head in mockery. "How shall I reach you?" she had asked. "How can I warn you if he returns?"

She could not, the magician had replied. But if there was a crisis she should write to the General again, under his English name and at a different address. "Mr. Miller," he said gravely, pronouncing it as French, and gave her a card with a London address printed by hand in capitals. "But be discreet," he warned. "You must be indirect in your language."

All that day, and for many days afterwards, Ostrakova kept her last departing image of the magician at the forefront of her memory as he slipped away from her and down the ill-lit staircase. His last fervid stare, taut with purpose and excitement: "I promise to release you. Thank you for calling me to arms." His little white hand, running down the broad banister of the stairwell, like a handkerchief waved from a train window, round and round in a dwindling circle of farewell, till it disappeared into the darkness of the tunnel.

Copyright � 1979 by David Cornwell

Most helpful customer reviews

1 of 1 people found the following review helpful.
One of Le Carre's best! Timeless.
By A Customer
Mr. Le Carre is an absolute master at drawing the reader fully into his story and its parallel evolving plots. I particularly love the way he builds each of his characters so vividly and to a point where they are thoroughly real and lifelike, with all human traits, weaknesses and strengths. I would highly recommend this book to anyone who enjoys a good "thinking person's" thriller. I personally rate books based on how well they captivate me and draw me into the story. For that reason, I give this 5 stars. My only criticism (if it's a criticism at all) is that I would like to have seen more in the series of "Smiley vs Karla" but do fully understand when an author wishes to quit a story line while he's ahead. Well done and Thank you Mr. Cornwell. Sincerely looking forward to many more tales from you.

0 of 0 people found the following review helpful.
Great detective story
By Doug2006
This was a detective story not spy vs. spy. With the detective being my favorite spy, George Smiley. This old spy can gather evidence and deduce the unknown with the best of them. Great detectives want to know the whole story, not just the perpetrators. Could lead to a rare bonus in the end ????

Also, I am now a fan of Toby Esterhase. Always thought he was just an untrustworthy little creep but the little creep gets to show some skill here. Plus, he has some classic quotes. This guy could sell ice cubes to eskimos while robbing your igloo at the same time.

The characters are not complex, you already know half of them and the others are easy to envision, but how did this all come to be and why ? You get to start from scratch with George Smiley and figure it out. Fun !

0 of 0 people found the following review helpful.
Portrait of a Faceless Man
By D. J. Leedham
As a matter of personal taste and not as a literary judgement I am not capable of offering I admit to never having been impressed with Le Carre as a writer. His writing is often wooden or stolid; his characterizations unimaginative and his sense of place and scene without any physical or visual dimension. It feels as though, "life" is a bit of a mystery as an existential matter for the writer. In this regard Smiley's wife's comment about Smiley's lack of worldliness - how people are a puzzle for him rings as true for Le Carre. Also it is disappointing to read accounts of the real spy game that Le Carre was involved in for a while - such as - "A Spy Among Friends: Kim Philby and the Great Betrayal" by Ben Macintyre, and realize the extent to which Le Carre lifted and then slightly altered the real facts and turned them into fiction.

Nevertheless both "Tinker Taylor" and "Smiley's People offer a diverting and engrossing read for a few quiet, undemanding and enjoyable evenings entertainment.

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